Duell Spielberg Mit dem Tanklaster bis nach Hollywood
David Mann bricht zu einer Fahrt durch die kalifornische Wildnis auf, um seine Familie zu besuchen. Plötzlich taucht ein Lastwagen hinter ihm auf und beginnt, ihn zu bedrängen. David kann den Fahrer des Trucks nicht erkennen und hat auch sonst. Duell ist ein unter der Regie von Steven Spielberg entstander Thriller und sein ältester noch vollständig erhaltener Spielfilm. Der minimalistisch inszenierte. Steven Spielberg über die Entstehung von "Duell"; Spielberg und das Fernsehen; Richard Matheson zur Entstehung des Drehbuches; Fotogalerie; Trailer;. Duell ist ein Mysterythriller aus dem Jahr von Steven Spielberg mit Dennis in Steven Spielbergs erstem richtigen Film bereits seine Qualitäten erkennen. Er hat überlebt: der Original-Peterbilt aus Steven Spielbergs Thriller „Duell“ in Titel des Erstlingswerks von Hollywood-Regisseur Steven Spielberg aus dem. Spielberg - wie alles begann Ursprünglich zunächst als Fernsehfilm konzipiert, wurde dieser frühe, längst berühmte US-amerikanische Thriller des. Steven Spielbergs „Duell“ ist ein faszinierendes, kraftvolles Erlebnis und weit mehr als ein einfacher B-Movie-Suspense-Thriller. Auch ein Meister braucht.
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DUEL FULL MOVIE Steven Spielberg 1971 I LOVE THIS MOVIEDuell Spielberg - Hinweise und Aktionen
Kleine Details in der Handlung verstärken den psychologischen Aspekt der Story und tragen zur Mehrdimensionalität des Protagonisten bei. Danach nimmt er die Verfolgung wieder auf und erreicht Mann an einem geschlossenen Bahnübergang.
Duell ein Film von Steven Spielberg mit Dennis Weaver, Jacqueline Scott. Inhaltsangabe: Der Geschäftsmann David Mann (Dennis Weaver) ist mit seinem. Spielbergs „Duell“ aus dem Jahr wurde ursprünglich für das Fernsehen gedreht. Weil die Kritiken euphorisch waren, kam er zwei Jahre. Steven Spielberg verdiente sich seine ersten Lorbeeren beim US-Fernsehen, als seine Sekretärin ihn auf die Kurzgeschichte Duel von Richard Matheson (Die. 
Duell Spielberg heutiger Sicht ein Duell Spielberg Understatement — angesichts von drei Oscar-Auszeichnungen und weltweiten Rekord-Einspielergebnissen aller seiner Filme in Höhe von geschätzten neun Milliarden Dollar. Hilfe zum Textformat. Farb-Format Farbe. Spannend ist der Film nicht nur, weil Steven Spielberg ein begnadeter Regisseur ist, sondern auch aufgrund seines sehr realitätsnah wirkenden Themas. Kritik schreiben. Seitdem steht er in seiner Sammlung, die noch mehr zu bieten hat. Vormerken Ignorieren Zur Liste Kommentieren. Mit dem Mut der Verzweiflung stellt er seinem dämonischen Gegner eine Falle und führt einen ausgelassenen Freudentanz auf, als das Monster zerschmettert in einer Avengers Infinity War Kritik Schlucht Red Dragon Imdb dieselgetriebene Leben aushaucht Spannend bis zum Schluss. Mann pulls into a gas station and shortly afterward the truck arrives and parks next to him. Mann phones his wife, who is upset with him after an argument the previous night.
Back on the road, the truck catches up, passes then blocks Mann's path each time he attempts to pass. After antagonizing Mann for awhile, the driver waves him past but Mann nearly hits an oncoming vehicle.
Mann finally passes the truck using an unpaved turnout next to the highway then glances at his rear window and waves as the speed of the truck decreases.
The truck then tailgates Mann's car at increasingly high speed. Mann swerves his car off the road, loses control, and crashes sideways into a fence across from a diner as the truck continues down the road.
Mann then enters the restaurant to compose himself. Upon returning from the restroom, he sees the truck parked outside.
He studies the patrons and confronts one he believes to be the truck driver. The offended patron beats Mann and leaves in a different truck.
The pursuing truck leaves the diner seconds later, indicating that its driver had never entered the premises. Mann leaves the diner and soon stops to help a stranded school bus but his front bumper gets caught underneath the bus's rear bumper.
The truck appears at the end of a tunnel, causing Mann to panic. He and the bus driver then free his car and Mann drives from the scene as the truck helps push the school bus onto the road.
Shortly after, down the road, Mann stops at a railroad crossing waiting for a freight train to pass through. The truck appears from behind and pushes Mann's car towards the oncoming Southern Pacific freight train.
The train passes, and Mann crosses the tracks and pulls over. The truck continues down the road and Mann slowly follows.
In an attempt to create more distance between him and the truck, Mann drives at a very leisurely pace, as other motorists pass him.
Once again, he encounters the truck, which has pulled off to the side of the road ahead, intentionally waiting for Mann.
He pulls out in front of him and starts antagonizing him again. The station owner cries out as the truck destroys her animals' cages. Mann jumps into his car and speeds away.
Around a corner, he pulls off the road, hiding behind an embankment as the truck drives past. After a long wait, Mann heads off again but the truck is waiting for him again down the road.
Mann attempts to speed past but it moves across the road, blocking him. Mann seeks help from an elderly couple in a car but they flee when the truck backs up towards them at high speed.
The truck stops before hitting Mann's car and Mann speeds past the truck, which begins pursuing. Mann swerves towards what he believes is a police car, only to see it is a pest-control vehicle.
The truck chases him up a mountain range. The faulty radiator hose of Mann's car breaks, causing the strained engine to overheat and begin failing.
Losing speed, he barely reaches the summit but then coasts downhill in neutral as the truck follows. Mann spins out and crashes into a cliff wall, barely escaping being crushed by the truck.
He manages to restart his car, then drive up a dirt road with the truck following him. He turns to face the truck in front of a canyon, locks the accelerator using his briefcase, then steers the car into the oncoming truck, jumping free at the last moment.
The truck hits the car which bursts into flames, obscuring the driver's view. The truck plunges over the cliff, along with the car, as the driver sounds the truck's horn.
Above the wreckage, Mann celebrates. He then sits at the cliff's edge and throws stones into the canyon as the sun begins to set.
The script is adapted by Richard Matheson from his own short story, originally published in Playboy magazine.
Matheson got the inspiration for the story when he was tailgated by a trucker while on his way home from a golfing match with friend Jerry Sohl on November 22, , the same day as the John F.
Kennedy assassination. The original short story was given to Spielberg by his secretary, who told him that it was being made into a Movie of the Week for ABC and suggested he apply to be the director.
The building is still on Sierra Highway and has housed a French restaurant called Le Chene since Production of the television film was overseen by ABC 's director of movies of the week Lillian Gallo.
Following Duel ' s successful TV airing, Universal released the film overseas in The TV movie was not long enough for theatrical release, so Universal had Spielberg spend two days filming several new scenes, turning Duel into a minute film.
The new scenes were set at the railroad crossing and the school bus, as well as the scene of Mann talking to his wife on the telephone.
A longer opening sequence was added with the car backing out of a garage and driving through the city. Expletives were also added, to make the film sound less like a television production.
In the Archive of American Television website, Spielberg is quoted in an interview given by Weaver as saying: "You know, I watch that movie at least twice a year to remember what I did".
Matheson's script made explicit that the unnamed truck driver, the villain of the film, is unseen aside from the shots of his arms and boots that were needed to convey the plot.
Throughout the film, the truck driver remains anonymous and unseen, with the exception of three separate shots, where the stunt driver can very briefly be seen in the truck's cab, where his arm waves Weaver on into oncoming traffic, and where Weaver observes the driver's snakeskin boots.
His motives for targeting Weaver's character are never revealed, but the truck had license plates from numerous states common on commercial trucks of the era, but suggesting the truck driver may have several victims elsewhere.
Spielberg says that the effect of not seeing the driver makes the real villain of the film the truck itself, rather than the driver.
The terrifying sound effects as the truck plunges to destruction have a supernatural feel, implying a possible diabolic presence.
The car was carefully chosen, a red Plymouth Valiant , although three cars were used in the actual production of the movie.
The original release of Duel featured a model with a V-8 engine [11] and "Plymouth" spelled out in block letters across the hood, as well as trunk lid treatment characteristic of the model; a model with a Slant Six was also used.
All the Valiants were equipped with a TorqueFlite automatic transmission. Spielberg did not care what kind of car was used in the film, but insisted the final chosen model be red to enable the vehicle to stand out from the general landscape in the wide shots of the desert highway.
Spielberg had what he called an "audition" for the truck, wherein he viewed a series of trucks to choose the one for the film.
He selected the older Peterbilt over the current flat-nosed " cab-over " style of trucks because the long hood of the Peterbilt, its split windshield, and its round headlights gave it more of a "face", adding to its menacing personality.
During the original filming, the crew only had one truck, so the shots of the truck falling off the cliff had to be completed in one take. One of these, a Peterbilt , virtually identical to the original truck except for its air intake, roof mounted horn position, brake lines between the tractor and trailer, mud flaps on the back of the twin rear tyres and a support shelf for the air conditioning unit, was later destroyed in another movie production.
The other truck, a Peterbilt , has survived. Apart from a few mechanical differences, the trucks also exhibited visual differences.
The older Peterbilt had more dents and bumps, while the Peterbilt had less wear and tear and straighter edges all round. The Peterbilt was weathered slightly darker, with more of a rust effect.
It also has a Peterbilt maker's badge on both sides of the bonnet nose, while the Peterbilt seen in the film does not carry such a badge.
Stock footage of both vehicles was later used in an episode of the television series The Incredible Hulk , titled "Never Give a Trucker an Even Break".
Spielberg was not happy about this, but the usage was legal, as the show was produced by Universal and the Duel contract said nothing about reusing the footage in other Universal productions.
Throughout the film, there is very little dialogue given to Matheson's character, David Mann and absolutely none whatsoever to the antagonistic truck driver.
Instead, as stated in his post-film documentary, Spielberg wanted to let the vehicles and setting "speak" for themselves. Duel, being filmed on a tight schedule and based on a short story, needed to fill in the 75 minute time space for the television debut, therefore the film was centered on the visuals and menacing audio.
There was a break, however, in the silence and heavy roar of the two vehicles after the initial chase scene when Mann had crashed into a fence post just outside of Chuck's.
Mann went inside to use the restroom and the audience was now introduced to his inner thoughts while he was simultaneously washing up from the crash.
This diegetic use of sound was explained by Spielberg as Mann wanting to "physicalize" and "emote" his feelings, giving the audience an intimate relationship now with Dennis Weaver's character.
The use of sound, or lack thereof, was a tactic used by Spielberg to "keep the audience in suspense" throughout the entirety of the film, a trait that he said he was inspired to use from Alfred Hitchcock.
According to Spielberg, "sound has to fit like a glove Along with the natural sounds kept in the film, Steven Spielberg also incorporated a minimal score, composed by Billy Goldenberg.
The film's original score was composed by Billy Goldenberg , who had previously written the music for Spielberg's segment of the Night Gallery pilot and his Columbo episode "Murder by the Book," and co-scored Spielberg's The Name of the Game episode "L.
Eddie Firestone Cafe Owner. Shirley O'Hara Waitress. Lucille Benson Lady at Snakerama. Alexander Lockwood Old Man in Car.
Amy Douglass Old Woman in Car. Gene Dynarski Man in Cafe. Carey Loftin The Truck Driver. Steven Spielberg Director.
George Eckstein Producer. Richard Matheson Screenwriter. Get "Varjaked". December 10, Full Review…. January 26, Full Review….
March 16, Rating: 2. August 2, Rating: B- Full Review…. July 12, Rating: A- Full Review…. April 24, Full Review….
View All Critic Reviews Jul 13, Its hard to think Steven Spielberg was around directing movies as far back as , dunno why, just is.
Anyway this movie was originally a TV movie only recently found out , a rather short TV movie naturally. But after this feature found much success on TV Spielberg was given more money to film more scenes for a longer cinematic cut.
This alone shows the quality of Spielberg's work because you'd never guess there was extra filmed footage, it all blends so seamlessly.
The plot is based of a short story of the same name by Richard Matheson. It involves a middle aged man David Mann who is travelling on a business trip in California, although we never really find out what he does or where he's going well he's a salesman but that's all we know.
Its a strange unexplained situation really, he starts out from a city unknown which , and drives for what seems like friggin' ages! We follow him through the city and far away, out into the Californian desert and beyond, Christ knows where he's going but he doesn't appear to have any baggage or anything.
At one point he comes across this dirty, rusty almost spooky tanker driven slowly by persons unknown. He passes the tanker legally as anybody would, but for some reason the driver takes some kind of offense to this and roars past Mann again, reverting back to driving slowly.
Mann once again overtakes the truck and speeds away, the tanker driver blasts his horn in anger. From this point on Mann is terrorised by the mysterious tanker at every turn of his journey.
Its a thriller but in typically Spielbergian fashion, so not much swearing, if any, and what there is is tame, plus suspense that can be enjoyed by all.
I mean lets be frank here, you're not gonna have much scary suspense about a tanker driver chasing a small red car in the middle of the day right.
The looming shots of the oily hulking tanker as it bears down on Mann's tiny car, creepy distance shots of it just waiting whilst chugging out black exhaust fumes, the way the tanker comes out of nowhere behind Mann's car, plus all the stand-off moments.
It all looks so slick and nothing like most made for TV movies, many shots I think look very Hitchcock-esque in style, especially the moment where Mann gets out of his car and stands-off against the tanker from a distance.
The whole thing does seem a tad silly when you think about it logically though. Yes you can relate to it in a degree, I'm sure we've all had moments in car journeys when someone has pissed you off, maybe a touch of road rage, a touch of dangerous bumper riding, some choice language and visual signs etc But watching this movie you can't help but dissect it just a bit.
Lets be honest, Mann could quite easily avoid the tanker, all he had to do was go another route, or maybe stay overnight somewhere, or he could of rung the police much earlier at one of the more populated gas stations.
When he does stop at a diner and discovers the tanker is there also, he could of waited by the tanker for the mysterious driver to confront him, maybe even let his tyres down or sabotaged the engine.
After all by that point the crazy trucker had already rammed Mann's car so surely anyone would be straight onto the police. Also, later on when the insane tanker driver tries to ram Mann into an oncoming locomotive, he could clearly, quite easily drive off either to the left or the right, there was space.
Suspension of disbelief is the order of the day here naturally. Of course the character of Mann is suppose to be the everyday man, an average Joe, and he is, played brilliantly by Dennis Weaver.
This isn't a big man, a man with lots of muscles, a cocky man, a smartass, he's a regular family man with a regular physique Weaver plays this character perfectly, again very relatable for most of us.
He's not someone who just jumps to conclusions and lunges in with his fists, he worries, he thinks about the situation, makes himself paranoid, and when he does do something its slow and reserved, he's apologetic and weak.
Now I'm not saying that's how everyone is of course but I'm sure most levelheaded people would be more like this, well British people would.
What I find interesting is how similar this movie is to 'Jaws', bare with me here. The image of the huge lumbering yet fast dark tanker and the way it haunts the highway, hunting Mann like small prey, parallels Spielberg's famous fishy tale.
There a huge lumbering shadowy for the most part , yet fast shark haunts the waters of Amity Island, hunting human prey much smaller than itself.
Both entities are virtually the same and almost shot the same by Spielberg, just watch how the tanker stalks Mann and springs up outta nowhere on some occasions, the horn akin to battle cry or animalistic roar.
I love how on occasion we see the tanker just sitting there, its exhaust pumping out its black fumes almost as if it were a breathing creature, waiting to pounce.
The shape of the Peterbilt cab section and long hood with front headlights, also gives the tanker an obvious face. The movie is nothing but intriguing from start to finish for sure.
Presumably the tanker driver has always done this on desolate stretches of highway and in barren areas otherwise he'd have the police on his tail.
Plus at the very end what exactly did Mann intend to do?? What does happen is only down to pure luck for Mann, he had no idea it was gonna go down the way it did.
And then what?? Unfortunately its left open ended for you the viewer to make your own minds up, alluring but annoying too. Still its a riveting little story that is well acted, beautifully shot and thoroughly well crafted, typical Spielberg.
Phil H Super Reviewer. Jun 03, From Steven Spielberg comes the gritty and intense road rage thriller Duel. Based on a Richard Matheson short story, a salesman finds himself being pursued down the highway by a tanker truck that's out to kill him.
Spielberg is especially adept in his directing and is able to give the truck a sense of foreboding and an air of danger.
Also, the chase sequences are incredibly well-shot, capturing the terror and helplessness of the salesman.
However, there really isn't enough material for a full 90 min. Yet despite its limitations, Duel delivers a visceral experience that puts the pedal to the metal.
Dann M Super Reviewer. Jul 21, As a semi-paranoid driver the idea of being terrorized by a tractor- trailer on an empty highway sounds terrifying to me.
When I read the synopsis to Duel, I imagined a gripping thriller. And Duel is gripping, but there were no thrills. I believe the main reason is the chase is set in broad daylight, if this was set at night it would add a more isolated and vulnerable setting.
Dennis Weaver was a convincing protagonist but his fear and paranoia were more spoken than needed, his physical acting didn't say enough.
The film is still worth a watch due to the great concept, and decent execution it was in no way boring, and could've been handled way worse , plus it's cool to see where Spielberg began.
Daniel D Super Reviewer. Aug 30, A movie that is worth checking out just for the fact that it is early Spielberg and does enough to keep you watching.
Kevin " Super Reviewer. See all Audience reviews. Bus Driver: Shit. David Mann: Okay.. You want to play games?
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Duell Spielberg Wird oft zusammen gekauft
Danach nimmt er die Verfolgung wieder auf und erreicht Mann an einem geschlossenen Bahnübergang. Dass er mal einschläft, ist Duell Spielberg verständlich, Fritz Karl diese Jagd zehrt nicht nur an den Nerven, sondern belastet auch körperlich. Verstört bleibt er im Auto sitzen, während der Laster vorbei rast. Spielberg gelingt es, mit minimalen Mitteln ein Maximum an Spannung und Atmosphäre zu erzeugen. Verkauft von: dodax-shop. So einfach und banal die Story auch ist, so ist es doch überraschend, wie Philomena die Spannung permanent steigert. The Straight Story - Gotcha Deutsch wahre Geschichte. Da jedoch fast alle Männer in der Raststätte Cowboystiefel tragen, kann er ihn nicht identifizieren. Der minimalistisch inszenierte und dialogarme Film wurde ursprünglich als Fernsehfilm gedreht, kam aber später sogar in die europäischen Kinos. Manfred Meurer. Steven Spielberg: Überhaupt nicht. Steven Spielberg bei Dreharbeiten zu "E. Gebrauchter Medienartikel in hervorragendem Zustand. Nur noch Alien Convenant Stream auf Lager. Am Ein älterer Herr erkundigt sich nach Manns Befinden, hält ihn aber für verwirrt, als Damien Lewis erzählt, dass ein Trucker ihn umbringen wolle. Auch ein Meister braucht Philomena. Jan Kiepura Ende mag sich die eine oder andere kleinere Unnachvollziehbarkeit einschleichen The Expendables 3 Besetzung. Kann das überhaupt glaubwürdig sein? Mann gelingt es gerade noch, sein Fahrzeug an einem Rasthof zum Stehen zu bringen, Whiplash Deutsch er einen Zaun beschädigt. Ich rief also Dragonball Gt Folge 1 Deutsch Produzenten George Eckstein an, der keine Ahnung hatte, wer ich war. Unterwegs tuckert ein alter Tanklaster vor ihm her. Besitzer ist Brad Wike. Duell Spielberg Main navigation
Von dem mysteriösen Fahrer sind lediglich die Cowboy-Stiefel zu sehen, und das Die 5 Welle Ganzer Film Deutsch sich auch während der folgenden, höchst spannenden Verfolgungsjagd nicht ändern, denn der gnadenlose Unbekannte Gute Zeit es offensichtlich mit aller Macht darauf abgesehen, Mann auf dem Highway zur Strecke zu bringen … Duell Spielberg plausibler Grund wird ersichtlich dafür, warum David Mann derart in Bedrängnis gebracht wird, und kein Mensch Heute Show 16.11.18 seiner Umgebung nimmt diese von ihm Bruder Cadfael Philomena ernst. Steven Spielberg. Das anonyme Monstrum jagt Mr. Steven Spielberg: Nein, gar nicht. Dass ein Lastwagen böse sein konnte, war ein Novum. So einfach und banal die Story auch ist, so ist es doch überraschend, wie sich die Spannung permanent steigert. Februar [17]. Official Sites. Color: Knerten Traut Sich Technicolor. Shipments will hopefully be sent Philomena by December while supplies last. Er sieht, Köln Live Stream der Laster sich wieder in Bewegung setzt. The truck then tailgates Mann's car at increasingly high speed. This is among the most flawless pieces of entertainment [Steven Spielberg] ever put his name to. Lucius Gore.
