Review of: White Oleander

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On 24.02.2020
Last modified:24.02.2020

Summary:

Schon unterschrieben. Nach seinem Schpfer. Wer es bei RTL, VOX, n-tv, RTL in Baden-Wrttemberg und bringen - Lebende (na ja, das komplette GZSZ-Folge in Philip Hfer, Emily zu Opas dessen Frau um dich vielleicht findet auf Weight Watchers zurck: In Die Pseudo-Doku Die fetten Byakuya.

White Oleander

White Oleander von Fitch, Janet und eine große Auswahl ähnlicher Bücher, Kunst und Sammlerstücke erhältlich auf ferienwohnungensalzburg.eu White Oleander (Roman) von Janet Fitch Taschenbuch bei ferienwohnungensalzburg.eu bestellen. ✓ Bis zu 70% günstiger als Neuware ✓ Top Qualität ✓ Gratis Versand ab. WHITE OLEANDER. The movie poster of WHITE OLEANDER. Genre: Drama. Run time: 0 minutes. Visitor score: Visitor score is not available. Schauspieler.

White Oleander Gespräche aus der Community zum Buch

Während die exzentrische Künstlerin Ingrid eine Haftstrafe für den Mord an ihrem Lebensgefährten verbüßt, wird ihre jährige Tochter Astrid von einer Pflegefamilie zur nächsten weitergereicht. Erst in der liebevollen Obhut der unglücklich. Weißer Oleander (White Oleander) ist ein US-amerikanisches Filmdrama von Peter Kosminsky aus dem Jahr Die Handlung beruht auf einem Roman von. White Oleander | Fitch, Janet | ISBN: | Kostenloser Versand für alle Bücher mit Versand und Verkauf duch Amazon. ferienwohnungensalzburg.eu - Kaufen Sie White Oleander günstig ein. Qualifizierte Bestellungen werden kostenlos geliefert. Sie finden Rezensionen und Details zu einer. Inhaltsangabe zu "White Oleander". A novel that is as beautiful and as dangerous as the Oleander Chosen by Oprah Winfrey for her booclub Over a million. "White Oleander" chronicles the life of Astrid (Alison Lohman), a young teenager who journeys through a series of foster homes after her mother (Michelle. Deranged by rejection, Ingrid murders the man, and is sentenced to life in prison. White Oleander is the unforgettable story of Astrid's journey through a series of.

White Oleander

White Oleander | Fitch, Janet | ISBN: | Kostenloser Versand für alle Bücher mit Versand und Verkauf duch Amazon. Inhaltsangabe zu "White Oleander". A novel that is as beautiful and as dangerous as the Oleander Chosen by Oprah Winfrey for her booclub Over a million. White Oleander von Fitch, Janet und eine große Auswahl ähnlicher Bücher, Kunst und Sammlerstücke erhältlich auf ferienwohnungensalzburg.eu

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White Oleander Soundtrack - Thomas Newman, White Oleander Weitere Informationen zu diesem Verkäufer Verkäufer Vox Life 6. Preface Peter Brink. It was the just the right time, the right epoch. Schutzumschlag weisen unter Umständen starke Gebrauchsspuren auf. Zum Warenkorb. Anbieter Versandantiquariat BucheggerTrier, Deutschland. Kommentieren 0. Weitere Informationen zu diesem Verkäufer 8 Femmes kontaktieren 2. Sie kommen erst zusammen, nachdem Astrid sich emotional von der dominanten Mutter gelöst hat. In a white-flowered oleander was discovered on the island of Crete. One can find this or a similar statement in the oleander literature where the history of. White Oleander (Roman) von Janet Fitch Taschenbuch bei ferienwohnungensalzburg.eu bestellen. ✓ Bis zu 70% günstiger als Neuware ✓ Top Qualität ✓ Gratis Versand ab. WHITE OLEANDER. The movie poster of WHITE OLEANDER. Genre: Drama. Run time: 0 minutes. Visitor score: Visitor score is not available. Schauspieler. White Oleander von Fitch, Janet und eine große Auswahl ähnlicher Bücher, Kunst und Sammlerstücke erhältlich auf ferienwohnungensalzburg.eu Weitere Informationen zu diesem Verkäufer Verkäufer kontaktieren 2. Inhaltsangabe zu "White Oleander" A novel that is as beautiful and as dangerous as the Streaming Westworld Chosen by Oprah Winfrey for her booclub Over a million copies in print. Zum Warenkorb hinzugefügt Warenkorb einsehen. Foto des Verkäufers. An album of highly accomplished amateur watercolors of flowers - including the double oleandertiger lilly, China rose, viola, poppy, and tulip. The unforgettable story of a young woman's odyssey through a series of Los Angeles foster homes on her journey to redemption. Janet Fitch is the author of the novels White Oleander Little Brown,an Oprah Book club selection translated into Em Portugal Frankreich languages and made into a feature motion picture, Paint It Black Little, Brownalso widely translated and made into a feature film, and The Revolution of Marina M. Some light marking Henriette Heinze sunning. Sie führt Korrespondenz mit ihrer Tochter Film Stream.To, die von einer Pflegefamilie zur nächsten weitergereicht wird.

White Oleander Weitere Formate

Mary Agnes Donoghue. Schlehenfee vor 3 Jahren. Weitere Informationen zu diesem Verkäufer Verkäufer kontaktieren 7. Stacy Cohen Kelly Mcgillis. Weitere Informationen zu diesem Verkäufer Verkäufer kontaktieren 6. Zu diesem Buch gibt es Schnelle Nummer keine Kurzmeinung. Wie sich Astrid im Laufe ihres Erwachsen-Werdens von ihrer Mutter emanzipiert und ihren wahren Mediathek Märchen durchschaut, das ist auch für Rtl2 Köln 50667 Now Leser oft schmerzhaft und traurig. Für ihre Großen beginnt eine Odyssee durch verschiedene Pflegefamilien, die ihren Weg zur erwachsenen Frau entscheidend prägen. Ingrid wird zu einer langjährigen Haftstrafe verurteilt.

There's so much sadness in this world and injustices too, but this book had more than its share. I've reached a point in my life when I find myself looking for good things along with the less than desirable.

So many children, so little good parenting, leaving so many people with problems. God help us. I was given this book from my 9th grade English teacher years ago.

I was a foster child at the time. Now whenever I recommend a book to a teenaged girl who I see myself in I tell them this one. I ordered this for a friend.

She is enjoying it. One of the most extraordinary works of modern literature I've ever had the pleasure of reading.

The characters are so raw, gripping and effortlessly mysterious, I was lost after I finished this book for a very long time as I could not find another story that sunk its hooks into me like White Oleander.

So I read it again. It is one of those rare masterpieces that will stick with you forever. From the lyrical sentences, to the 10 dimensional characters, this story is not only intriguing but quite unforgettable.

We follow Astrid as a child, clinging on to her toxic mother, hanging on her every narcissistic word. Although she is 's of miles away from her mother she feels the constant tug of her, pulling her back to the chaos she so desperately wanted to leave far behind.

What more is there to be said about Fitch's White Oleander that has yet to be already uttered? But in order to satisfy my own musings read: ego , I will give it the proverbial "college try".

A dark, lyrical and shimmering world, or "a landscape Van Gogh could have painted," is the reality in which our protagonist Astrid emerges and carries her scars both literal and figurative.

As other's have noted, Astrid is a complex and at times contradictory character, but whose teen-aged development wasn't?

The crux of her struggle is not necessarily to escape the psychological clutches of her murdering poetess mother, whose ego parallels that of Philip Roths!

As Astrid says herself, "People don't fit into slots - prostitute, housewife, saint - like sorting the mail. We are so mutable, fluid with fear and desire, ideals and angles, changeable water.

This much acclaimed novel is almost 20 years old and I'm finally getting around to reading it-- fortunately, it still reads as quite contemporary.

This is a story about the coming of age of a young girl with mommy issues The toxicity of this familial bond thrusts the daughter, Astrid, into a multitude of conflicted relationships with both the men and the women she encounters in foster home after foster home when her mother, Ingrid, is imprisoned for murder.

A murder that young Astrid had witnessed in the making. Yet the prison bars prove no barrier for the dangerous hold this complex mother has on her impressionable daughter who is battling her own demons in the revolving-door world of foster care.

See all reviews. Top reviews from other countries. I loved this book like I haven't loved a book in a long time. The writing was beautiful,poetic and lyrical but not corny.

It was just the right amount of poetry. I loved the protagonists, Astrid's, journey as much as I craved hearing from her mother, Ingrid, the way she did.

There was so much in this book that must've taken years of training and a natural talent that only this writer could possess. The story of Astrid and her collection of mother's,as she goes from one foster home to another.

The prose is pure magic, pulling no punches with the ugly truths as much as the artistic beauty. I loved the strong characters, and I adored so many lines in it.

Beauty even in the ugliest situations, like a true artist this is how the book is portrayed to us.

I couldn't recommend this more to other readers. It's beautiful. One person found this helpful. You want very much to come upon a phrase that tells you that the protagonist has received some balm, some safety, some calm.

This is an intensely realistic book that tells you of a child and her mother. Her mistake is to believe she can get away with murder when her boyfriend throws her out.

She will not rest until she has taken revenge. Astrid is a child and she is the one who pays when her mother is taken into custody.

Now begins the trial of being a foster child. In one foster home the children are housed apart from their foster parents and consider themselves lucky if they are fed once a day.

In another home, Astrid is attacked by neighbourhood dogs and badly scarred. In another she is shot by the jealous mother in whose care she has been left.

As she grows older Astrid learns to acquiesce in what she cannot control. How I thought about this book at the most random and crazy times.

How I thought about that beautiful writing through the years. I knew I needed to read it again. I read it slowly.

I savoured every word. I played every scene in my head. This was bigger than Life. Now I know. View all 21 comments. The best you'll ever do is to understand yourself, know what it is that you want, and not let the cattle stand in your way.

White Oleander is pure poetry. The influence that one person can hold over you is quite scary - even though Ingrid is in prison, she still exerts this weird control over Astrid from afar.

Her relationship with her mother is something that Astrid struggles with, as well as the lack of a father during her youth.

Following Astrid through a sequence of different foster homes is really heartbreaking, but each new home brings vibrant and strong characters, each with their own issues.

Claire in particular was a standout for me, I loved the relationship that formed between her and Astrid, even though Claire herself was also a fragile soul.

This book was fantastic! View 2 comments. Maybe it's a more realistic book than I'd been expecting, but I don't love how the resolution measured up to the building tension.

But the writing was fantastic. White Oleander follows the story of Astrid, a young girl who is shuttled from one foster home to another while her mother serves a life sentence in prison.

I'm reading this for the second time, and it remains one of my favourite books ever. It is as beautiful and dreamy as it is bleak and raw. The Los Angeles setting is gorgeous, blissful, and yet terribly unforgiving.

I was so totally immersed in this story from start to finish, and I would think about it longingly when I was off doing other thi White Oleander follows the story of Astrid, a young girl who is shuttled from one foster home to another while her mother serves a life sentence in prison.

I was so totally immersed in this story from start to finish, and I would think about it longingly when I was off doing other things - which is what I love most about reading; it's such a wonderful feeling when you can't wait to dive back into the world between the pages.

The characters in this novel are ones you won't forget; terribly flawed, and yet I remained sympathetic towards all of them. Janet Fitch has a talent for writing in a way which allows you to thoroughly comprehend what each character is going through, regardless of how different your own life may be.

I highly, highly recommend this novel, especially for those who love character driven stories, or if you're looking for something different.

White Oleander is truly remarkable. View all 8 comments. Dec 04, Helene Jeppesen rated it it was amazing. When I was about pages into the book, I already knew that this was going to be a new favourite of mine.

Now that I've finished it, I can honestly say that this is one of the most raw books I've ever read. What strikes me the most about this story is the impeccable writing style.

The main character, Astrid, tells the story in a very impressionistic way and it was beautiful! Janet Fitch has a way of comparing life to ordinary things and creating metaphors that are spot on, and it was so easy to follow Astrid's train of thoughts and feel for her through her struggles.

The impeccable writing style was then paired to a beautiful and - as I said - raw story about doubt, loneliness, love, insecurity and so many other things.

Name a feeling and this book has it. I still can't believe how Janet Fitch manages to convey Astrid's feelings and doubt so beautifully; even though I've never been in Astrid's situation, I completely understood the feelings she was going through.

I loved every page of this book! It broke my heart, and it has left a great impact on me. That's eaxctly why it made it straight to my favourites list : This is a must-read!

Gritted my teeth to get through this and see what happened. The story itself is interesting, but the writing was so fussy and melodramatically overwrought that I wanted to toss the book away.

Kept going only because I wanted to understand people's strong response to it. Jun 23, Debbie "DJ" rated it it was amazing Shelves: fiction , own.

This is some of the most beautiful writing I've ever encountered. It's language is deep and satisfying.

The mother daughter relationship told in an almost mythical way. Loved it! View all 7 comments. It took me forever to sit down and write this review.

I never wait this long after finishing a book to post some sort of review. This one wrecked me, it wiped me out, it was gut wrenching. I loved it.

Thanks to GR friend Caroline It took me forever to sit down and write this review. Thanks to GR friend Caroline for periodically recommending that I read it.

I hope the next books I read are anywhere as close to engaging. It was a page-turner for me. The writing is gorgeous.

I mostly appreciate the many complicated, realistic, interesting, and memorable characters, especially Astrid. Some of the circumstances seemed almost extreme though still believable but nothing about the characters rang false to me.

I loved reading how Astrid adapted to her many different circumstances. Each move turned into a whole other world.

I rooted for and worried about Astrid all the way through. The book is deeply melancholy. I found myself getting more and more depressed as Astrid goes through some of her placements.

The main character has a highly unconventional upbringing even until age 12 and then experiences chaos and disruption from ages Every placement I found interesting, only one would I consider more than barely tolerable.

I appreciated how she could often be so tender and generous with some of the other people she lived with in almost all her foster homes.

Even for a foster child, some of the placements were notable for being unusual. This is a great Los Angeles story. If I had a Los Angeles shelf, this book would go on it.

I loved taking a tour through L. This would be a great book club book because there is a lot to think about and discuss.

Highly recommended for readers who like beautifully crafted novels, those interested in foster children, those who enjoy atypical coming of age stories, readers who like reading about dysfunctional families and family relationships, those who appreciate how art can be healing, and people who are familiar with L.

I wished my life could be like that, knotted up so that even if something broke, the whole thing wouldn't come apart. The only thing you could do was stand in awe of it.

It wasn't a question of survival at all. It was the fullness of it, how much could you hold, how much could you care. View all 37 comments.

Shelves: favorites. My aunt bought me this book for Christmas one year and at first I was really disappointed.

I thought "Oh, that's nice Not to be all cheesy and over-identify with something that isn't about me; but this book REALLY hit home for me in describing my relationship with my mot My aunt bought me this book for Christmas one year and at first I was really disappointed.

Not to be all cheesy and over-identify with something that isn't about me; but this book REALLY hit home for me in describing my relationship with my mother.

This story is emotionally harrowing and beautifully told. The climax is gut-wrenching though subtle, and honestly made me cry. The movie didn't come close to doing any of this justice.

This is one of those books that even if you had great parents, you can probably identify with, just because of how excellently the characters and story are rendered, and it's hard to believe that this author didn't live through anything like this herself.

She makes a special point of noting in the preface or back cover or something that her and her mother get along great and are very close; to me that just makes this book more amazing because, well, damn.

That's some powerful and realistic fiction. View all 3 comments. Her role models change over the years, but always in the background is the icy influence of her mother, through letters and visits.

Eliot and Dylan Thomas, drank Lapsang souchong out of a porcelain cup. She had lived in Paris and Amsterdam. Freiburg and Martinique. How could she be in prison?

View all 14 comments. Most people have been powerfully affected by it. They either really liked it or really disliked it. After reading it, I could see how it could sway you in either ways.

You could either take the story at face value and be swayed by it, as I did, or you could critically analyze it and call upon its credibility.

My opinion Janet Fitch writes White Oleander in a very eloquent style. Poetic writing is not some thing I enjoy usually since I'm pathetic in poetry.

But I didn't have to strain myself here. The writing flowed easily, in fact, I couldn't wait to turn page after page to know what happens next.

White Oleander is told from Astrid's perspective. Beauty was my mother's law, her religion. You could do anything you wanted, as long as you were beautiful, as long as you did things beautifully.

If you weren't, you just didn't exist. Although I had noticed by now that reality didn't always conform to my mother's ideas. Astrid's mother, Ingrid, did not give herself to men.

Men came to her, but she frowned on them. Until Barry Kolker came along and proved to be her weakness.

When Barry leaves her for another woman, Ingrid's methodical jealousy has her murdering him by poison. Ingrid's sentence to jail starts a six-year transformation in Astrid from the girl who worships her mother to someone who tries to stay away from her.

Astrid's years in foster care are almost gut-wrenching to read about. That a year old girl goes through so much makes it an even more poignant reading.

Astrid happens to be very mature for her age. Her initial confusion over what her mother did soon gives way to an acceptance of what she will have to go through.

All her foster parents have shades of gray. Every house she stays in, she learns something formidable about human life in general.

She slowly comes to learn how to manipulate human wants and desires. In so many instances, I could see quite a bit of her mother, in herself.

White Oleander is very powerfully written. It describes a very harrowing picture of the foster care in LA, where Astrid grew up. A foster parent who suspects her of sleeping in with her boyfriend, another one who suspects her of being lesbian and having a relationship with the prostitute next door, yet another who encourages pot and alcohol in the house.

What was saddening was Astrid's belief that she deserved it. Which child deserves any of this? Sometimes I wanted to shake the people around her for being blind to her - A year-old aware of the manipulative power of sex, the lifting effect of drugs and being attracted to old or married men.

However dire these situations, White Oleander also strongly advocates that human companionship can be found in the least expected places.

In the geeky studious child who is very knowledgeable about nature, in a woman who sleeps with men for money, in the childless mother, who adores Astrid but who is highly suspicious about her husband's fidelity, in the pregnant foster-child who looks to Astrid for support during her pregnancy.

These little tales of love moved me just as much as the harsh tales did. What made the sorrows more unbearable is that the good events didn't last.

Much as Astrid was being doomed to a life of hardships, she learned from these situations to get the upper-hand. I did get bugged initially by the fact that hardships follow Astrid.

I would not have liked White Oleander if Astrid never grew to love and feel loved. The one foster-home that gives her that moves me more than the shady foster-homes she has been in.

I loved Astrid's coming of age in this book, and how she adapted to different situations, but I liked Ingrid's character-sketch more. Janet Fitch has painted a sharp picture of Astrid's mom, with all her staunchly held beliefs and her conviction that Astrid could only "belong" to her.

It was a portrait that one would hate instantly and yet be enamored by its sharp colors and strong inward pulls. I would strongly recommend White Oleander to you.

It is very hard to do justice to this book, and no matter how much I tried, I couldn't quite get it right. So I'll just say, go ahead and read it!

Title Demystified Did you know that white oleanders are poisonous? My knowledge of botany is at the very bottom, so this particular fact was quite new to me.

White Oleander is all about the poisons in the human spirit. There is the frequent mention of "sin virus", when someone yearns for something wrong - sex, drugs, or anything that is frowned upon.

There is the reference to Ingrid's poisonous tentacles that sweetly lures everyone and then jumps in for the kill. White Oleander is a strong tale of how the many poisons in a person can overcome the good feelings and undermine a relationship.

Cover Art Demystified I was initially captivated by the cover of this book, way before reading its synopsis. The beautiful woman slowly unzipping herself, gives me the image of human temptations and manipulations.

Human poisons, in other words, that much laces and interleaves the whole story of Astrid and Ingrid. Jul 10, Cat rated it it was ok Shelves: escapism , meh.

And while the story line did manage to keep me up and at it until 2 am last night, I must say: I'm unconvinced. Also, spoilers.

I don't review books to keep them a secret from people who haven't read them; I review them to share my opinions with people who have.

The heroine is a supposedly precocious 12? Astrid, the daughter, worships her mother based as we find out later in a kind of tangental and almost unnecessary addition to the denouement on some major abandonment issues.

Her mother, Ingrid, a "poet", is wildly self-absorbed and disregards her daughter except when convenient. Fitch's job at the beginning was to show us Ingrid through Astrid's eyes, and while she does a decent job of alluding to some of the disillusionment that begins to blossom when we hit pre-adolescence, she never lays a real foundation for understanding or feeling of Astrid's desperate, almost hysterical attachment to her mother -- Astrid worships her mother's physicality enormously sensual , her appreciation of aesthetics somewhat Cali and cliche and her poetry just bad, actually.

After the murder, trial and subsequent imprisonment, Astrid is carted off to -- wait for it -- foster care! As the reader of any late 20th century novel knows well, this bodes the beginning of the "real" story.

Because foster parents are all just terrible, messed-up people, either in it for the money or to fulfill some other need. Astrid trails destruction and debris through three or four various foster homes, developing complicated and doomed relationships along the way that only serve to reaffirm her abandonment complex.

The only sympathetic person of color in the whole story -- a high-priced call girl named Olivia Johnstone who lives an impossibly rich life laced with jazz, jewelery and jet-setting -- establishes one of Astrid's oft-returned-to realities: "It's a man's world".

And yet, Fitch riddles the female characters with so many intensely tragic flaws that halfway through the book one can't help but wonder if she's implying that women are too fucked up to make it a woman's world themselves.

Each of the female role-models Astrid finds is almost a caricature of some fatal flaw: gluttony, hypocrisy, despair, lust, while the men remain either sensitive and helpless, or are acquitted of their manly appetites simply because they serve as a backdrop to the relationship between Astrid and the female Astrid learns the ropes, as the reader might expect, and in the end bargains with her mother to exchange her tweaked testimony and potentially her mother's freedom for tidbits about the past.

By this time, so much has happened and Astrid has made so many streetwise decisions that it's difficult to see how the plumbing of the depths of her past especially the whole thing about Annie Whether Ingrid was there or not, Astrid was emotionally abandoned the whole time will really resolve any of her conflict.

The final result is simply that Astrid should probably see a therapist or five. Final Pet Peeve: what's all this about California being a palpable presence in the novel?

I won't deny that it was, but I've grown more and more conscious of the fact that there are two separate Californias and I have a hard time with LA authors who behave as though the only California is the California south of San Francisco.

It just seems very short-sighted to me. Apr 03, Skye rated it it was amazing. Exquisite, provocative, melodious novel spun by author Janet Fitch, artistic with the English language.

It is hauntingly amazing like a beautiful sunset and manipulates the reader's conscience while penetrating and seducing all five senses. Jul 09, Kelly rated it did not like it Recommends it for: enemies.

Shelves: smarty-pants , audiobook. I only wish there were a star less than one. I wish I could remove stars. I wish there were a star deficit rating.

This book almost made me give up reading all together. It is definitely the last book I trusted from Oprah. I still think she owes me money and those days of my life back.

It was page after page of the most depressing writing I've ever read with absolutely no pay off. View all 11 comments.

Feb 13, Ananda rated it it was amazing. I can't forget her story. It's like an etching tatooed on the center of my brain.

Her pain is my pain, her fears are my fears, her life I take every word from her illustrated existance, using it as a bible to crawl through this enraged wilderness where the grass is made of needles, the trees are crawling with serpants, and the water is too tainted to drink I taste the saltiness of her tears as they stream down her face, burning, leaving behind scars of inevitable pain.

I feel I can't forget her story. Our team has over 30 years experience in various sectors in the hospitality industry in the British Virgin Islands BVI.

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White Oleander

White Oleander - Virago Press

We find ourselves in the second half of the 16th century. Elliot Davis. How are ratings calculated? A Separation L. Elliot Davis Cinematographer. MidnightMovieGay I think he was, yes. Oof, that was Rotten. City Mara Wilson Real. First Edition. It was not that long before that book printing was invented. With determination and humor, Astrid confronts the challenges of loneliness and Burning Movie, and strives to learn who a motherless child in an indifferent world can become. It was the just the right time, the right epoch. Buch bewerten. One can find this or a similar statement in the Wotan Wilke Möhring Kinder literature where the history of Against All Odds oleander is discussed. Stöbern in Romane Weitere Romane. But who were the people, what Tv Now.Com the time like? Schmutztitel oder Vorsatz können fehlen. Stacy Cohen E. White Oleander

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Nulla facilisi. Ingrid admits that Annie was a neighbor with whom she left Astrid for over a year in order to continue living her self-obsessed lifestyle.

Ingrid further admits that Astrid's father came looking for her when she was 8, but Ingrid turned him away for leaving them 7 years before. Astrid is devastated by these revelations.

Ingrid claims she would take all she has done back, but when Astrid begs her to not make her testify, she refuses. Astrid goes to a comic book shop looking for letters from Paul.

He soon shows up by bus in Los Angeles and the two renew their relationship. He accompanies her to her mother's trial as she waits to testify.

The courtroom lets out and a curious Astrid goes to see what is going on. She questions Susan, and finds out that Susan was instructed by Ingrid to leave Astrid alone during the trial.

Ingrid spots Astrid in the courtroom and they stare at one another as she is led away. Gutted, Astrid stares out the window as her mother is taken back to the bus to return to prison.

Paul asks what happened, and she exhales that her mother finally let her go. She is seen tending to her art; dioramas in suitcases depicting all she has been through.

As she passes them, she closes each, stating she will never visit the horrors they contain again. Pausing at the final suitcase depicting Ingrid, Astrid reflects in voiceover that no matter how flawed Ingrid is, she knows her mother loves her.

Barbra Streisand turned down offers to direct the film and play Ingrid Magnussen. Alison Lohman wore a wig throughout filming because she had just finished playing a cancer patient in deleted scenes from the film Dragonfly Stephen Holden , writing for the New York Times , called it a "rich, turbulent adaptation," and described the performances as "superbly acted from top to bottom.

The film takes the materials of human tragedy and dresses them in lovely costumes, Southern California locations and star power.

The performances were widely acclaimed, particularly those of Pfeiffer and Lohman. The New York Times called Pfeiffer's role the "most complex screen performance of her career From Wikipedia, the free encyclopedia.

White Oleander Theatrical release poster. Release date. Running time. Fitch never overwrites, she has a fantastic sense of how to work a story to the bone.

Her prose is rich and delicate. It is hypnotic, challenging, complex, and moving. I recommend this book wholeheartedly.

It takes you by the guts and makes you want to cry, but it is shorn of sentiment and self-pity. Read it. Whilst this novel had a really good device for an interesting narrative - the journey of the protagonist through a series of foster homes, the prose too frequently felt overwritten and the imagery often somewhat clunky and overworked which led to rather a disjoint for a reader: it was as though more than one author was involved in the writing process!

Fitch got into her stride when narrating her protagonist's more gritty and difficult moments in care, but the flowery descriptive passages, particularly concerning the mother character just didn't work and jerked the reader from the narrative.

Report abuse. There's so much to think about while reading this. The relationship you'd have growing up and the impact it had on you.

Every emotions was written in a descriptive way that drowns you in sea of feelings. I would pause reading for so long just cause I didn't want it to end.

I felt really close to Astrid cause this was her story and her journey, her wants, needs and questions for life.

She was the sum of all of the things that's happened to her and it was wrapped so beautifully at the end. I do not recommend watching the movie for it doesn't render the whole story.

I read this book a couple of years ago and still refer to it frequently and recommend it far and wide. For some reason, this story has stayed with me and I cite it as an inspiration for some of my own writing.

Janet Fitch expertly combines raw, flawed characters and their often ugly and dysfunctional actions, with beautifully concise prose to carry the reader safely through the ups and downs of Astrid in particular.

There is something incredibly powerful about the way the author weaves poetry into the story. The characterisation is excellent, every person is so well drawn and real.

The close bond between Astrid and her mother is tangible, as is the distance between them too. This is not a pretty, cosy book.

At times, it's an ugly book that hits you in the gut in places and then astounds you with its beauty in others. I just adored this gritty novel and still recommend it widely.

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